Teaching

Lesson 1 Rudiments: Intervals and Triads

Introduction – Chord Symbols – Reference Table 1
Intervals – Reference Table 2
Intervals and Triads Exercise 1

Lesson 2 The Diatonic Scale Tone Triads

Introduction: The Diatonic Scale Tone Triads
Scale Tone Triads: Major and Minor/Inversions – Examples 2a-e
Assignment – Exercise 2a-b

Lesson 3 Simple Chord Progressions and the Circle of Fifths

Introduction and The Circle of Fifths
Keyboard Assignment: “Satin Doll”
Scale Tone 7ths: Major and Minor – Examples 3a-d
Voicings – Scale Tone 7ths: Chord Voicing Study – Exercises 3a-b
Voicings – Exercise 3c-d ii7-V7-I
Voicings – Exercise 3e – ii7-V7-I in Minor
Exercise 3f – Left Hand/Root 7-Root 3 Voicings

Lesson 3a Another Simple Chord Progression

Introduction – “I Got Rhythm”
Voicings – Exercise 3a and 3b
Keyboard Assignment: Melodic Exercises – Exercise 3c
Sketchbook Assignment 1: “I Got Rhythm”

Lesson 4 Harmonic Approach to Improvising | Chapter 1: Blues and the Dominant Cycle

Introduction
Example 4: Blues Progressions 1-6
Dominant Cycle – Exercises 4a-d
Sketchbook Assignment 1a

Lesson 5 The Keyboard Bass

Introduction
Keyboard Assignment Bass Lines – Exercises 5a-j
Writing Assignment
Exercise 5k

Lesson 6 Rhythmic Phrasing | Chapter 1: The Two Bar Phrase

Introduction – Reference Table 3
Note Value Divisions – Reference Table 4
Keyboard Assignment Examples 6a-i: The 2 Bar Syncopated Phrase
Exercises 6j-m: Written Assignment: Phrasing

Lesson 7 Linear Approach to Improvising | Chapter 1: Song Form

Introduction – Momentary Keys – Form Discussion
Sketchbook Assignment 2: Exercise 7 “Ornithology”, “In Your Own Sweet Way”, “Triste”

Lesson 8 Introductions, Endings and Turnarounds

Introduction
Introductions: Examples 8a-g
Endings: Examples 8h-n
Turnarounds
Sketchbook Assignment 3: Written Intros/Endings

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Part 2: Influence of Styles

Lesson 9 Rhythmic Phrasing | Chapter 2: Early “Stride” Piano Styles and the “Polyrhythm”

Introduction
Keyboard Assignment
Rhythmic Styles: Exercises 9a-d
More Rhythmic Exercises 9e-g
More Rhythmic Exercises 9h-j

Lesson 10 Harmonic Approach to Improvisation | Chapter 2: Harmonic Foundations of Bebop

Introduction
Scale/Chord Syllabus – Reference Table 5
Scales and Chords: Examples 10a-e – Reference Table 6
Keyboard Assignment – Diminished scale: Exercise 10a
Keyboard Assignment: Diminished Whole Tone Scale & It’s Equivalents: Exercise 10b

Lesson 11 Harmonic Approach to Improvisation | Chapter 3: More Bebop

Introduction
Sketchbook Assignment 4: Vertical Improvisation – Examples 11a-d
Dominant Alterations – Exercises 11a-h
Dominant Chord/Scale Syllabus – Reference Table 73

Lesson 12 Harmonic Approach to Improvisation | Chapter 4: More Blues and the Altered Dominant Cycle

Introduction
Sketchbook Assignment 5
Example 12: More Blues Progressions
Altered Dominant Cycle – R.H. Exercise 12a
Double Altered Dominant Cycle – R.H. – Exercise 12b
Altered Dominant Cycle – L.H – Exercise 12c
Double Altered Dominant Cycle – L.H Exercise 12d
Sketchbook Assignment 6 – “Blues for Alice”

Lesson 13 Linear Approach to Improvising | Chapter 2: Modal Harmony

Introduction: How are Modes Used in Contemporary Song Compositions?
Solo Approach – Modal Improvisation in Jazz History
Listening Assignment
Diatonic Modal Harmony – Example 13a
Harmonic Definition in the Modes – Example 13b
Definitive Modal Chords – Written Assignment – Exercise 13a
Mode Exercise – Exercise 13b
Mode Recognition – Exercise 13c
“Sadjoy”
“Portrait”
“Landscape II”
“Latinesque”
Modes and Polychords – Example 13c
Modes and Polychords – Exercise 13d

Lesson 14 Influence of Contemporary and Latin Sounds

Introduction
Latin Basics – Example 14a-b
Keyboard Exercises: Latin Piano Styles – Exercises 14a-g

Lesson 15 Rhythmic Phrasing | Chapter 3: More Polyrhythms and the Jazz Waltz

Introduction
Rhythmic Subdivisions in the Jazz Waltz – Examples 1-4
Other Polyrhythms – Examples 5 & 6
Sketchbook Assignment 7

Lesson 16 The Soloist: A Combination of Approaches

Introduction
Sketchbook Assignment 8